By Ellie-Eve Bennett & Tali Stutt
The biographical film Michael has been released in cinemas, offering audiences a detailed portrayal of the life and career of Michael Jackson. The production traces his rise from a child performer in the Jackson 5 to an internationally recognised solo artist, focusing on key moments that shaped his musical output and public image.
Directed by Antoine Fuqua, the film draws on material provided by the Jackson estate, including access to original recordings and archival references. This has enabled the inclusion of well-known songs within the narrative, alongside depictions of studio work and live performances that defined Jackson’s career.
The central role is played by Jaafar Jackson – Michael’s nephew – whose casting has attracted attention due to his family connection to the subject. The film also addresses aspects of Jackson’s personal life, presenting a range of experiences alongside his professional achievements.
This approach has prompted discussion among critics about the balance between celebrating artistic contributions and examining more complex elements of his public and private life – for example, it does not mention the child abuse allegations that dogged his career.
“This saccharine, reverential biopic about controversial music legend Michael Jackson is set to be one of the worst films of 2026 – removing ‘everything that might be deemed dramatic'”, a BBC review said.
Initial box office figures (£160M) indicate strong audience interest, supported by international marketing and the enduring recognition of Jackson’s catalogue. Industry analysts note that music biopics continue to perform consistently, particularly when supported by widely known source material.
Critical reception has been mixed, with some reviewers highlighting the film’s production values and performances, while others have questioned its narrative focus.
“The film feels highly censored due to the Jackson’s family’s close connection with production,” states Lilly Slater, a film student from London.
As the release continues across global markets, further assessment is expected regarding its commercial performance and its place within the broader trend of biographical films centred on major figures in popular music.
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